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Raven (gun)
© » KADIST

Catherine Opie

Photography (Photography)

In this work, a woman sits on a couch with her shirt pulled up to expose her pierced nipples, which are connected by a chain. She wears an expression of both pleasure and intensity as she points a gun at someone or something outside of the frame. Raven (gun) (1994) is not so much threatening as full of sexuality and potential energy.

Cathy (bed self-portrait)
© » KADIST

Catherine Opie

Photography (Photography)

Catherine Opie’s candid photograph Cathy (bed Self-portrait) (1987) shows the artist atop a bed wearing a negligee and a dildo; the latter is attached to a whip that she holds in her teeth. Opie is known for her honest portraits of diverse individuals, from LGBT people to football players, and the self-portrait has also been a long-standing and important part of her practice. Instead of hiding her sexuality and interest in sadomasochism, Opie wears it proudly.

Freeway Series
© » KADIST

Catherine Opie

Photography (Photography)

Although best known as a provocateur and portraitist, Opie also photographs landscapes, cityscapes, and architecture. The Freeway Series was developed in 1995, right after the artist’s inclusion in that year’s Whitney Biennial. As if suggesting that her work should not be restricted to being seen through overtly political or activist lenses, this series lends insight into the city of Los Angeles via its most characteristic urban feature: its highways.

Mike and Sky
© » KADIST

Catherine Opie

Photography (Photography)

Like many of Opie’s works, Mike and Sky presents female masculinity to defy a binary understanding of gender. The very practice of being photographed raises many complex issues around gender performance and the relationships between an inner self and an outer public persona. Even though Mike and Sky are cropped and obscure one another, many of their choices for self-presentation—as emphasized by their tattoos—remain visible.

Alistair Fate
© » KADIST

Catherine Opie

Photography (Photography)

Alistair Fate (1994) depicts, presumably, a member of the LGBT community. Catherine Opie is known for her portraits of LGBT, queer, and outsider people; she intends them to come off not as shocking or different, but as human despite their deviance from societal norms. This image is one of several works by Opie in the Kadist Collection that show marginalized people, filtered through the artist’s signature appropriation of formal and classical portraiture in the interest of both documentation and reframing.

Knotty Spell in Windy Drapes
© » KADIST

Haegue Yang

Sculpture (Sculpture)

A steel clothing rack adorned with turbine vents, Moroccan vintage jewelry, pinecones and knitting yarn, these heterogeneous elements are used here to create an exotic yet undefined identity within the work. Following Haegue Yang’s 2010 anthropomorphic series Medicine Men, this sculpture appears as a shamanic objet or being. It is mobile and can be activated.

Sexy
© » KADIST

Yan Xing

Film & Video (Film & Video)

Sexy shows Yan Xing unsuccessfully trying to reach orgasm in freezing temperatures among the falling rocks and howling winds of a precarious canyon. His erotic failure leaves the voyeur-viewer unfulfilled and disappointed. The work explores notions of identity, masculinity, sexuality, voyeurism, and cultural taboos.

Glorie #7
© » KADIST

Caspar Heinemann

Sculpture (Sculpture)

Glorie #7 by Caspar Heinemann is made from cardboard boxes in which the artist received deliveries at home during lockdown, as well as other materials that he uses in an improvisatory way. Initially, Heinemann began this project by wanting to make a series of birdhouses, an interest of his that derived from walking in parks during lockdown, when bird life was so much more present as a result of the reduction in traffic noise and the absence of aircrafts. Though birdhouses may be safe spaces to nurture fledglings, they are also inherently absurd, as human constructs projected onto bird life.

Mom
© » KADIST

Sadie Benning

Painting (Painting)

In borrowing and subverting images from popular culture, Sadie Benning exposes the media’s role in constructing false and oppressive stereotypes of women, with regard to gender and sexual identity. This small painting, titled Mom , is a concise, eloquent visual statement. Many of her paintings incorporate found imagery, family photos, and everyday objects.

Maqe II
© » KADIST

Tracey Rose

Photography (Photography)

“Maqe II” is at first glance a romantic image of three diaphanous angels hovering in the luminous sky over a South African township. A closer inspection reveals that the apparition is the appropriated figure of Marie Antoinette from the artist’s Ciao Bella series (2001) with the addition of a butchered cake. The figure is Rose herself dressed in costumed made of trash bags holding a haunting paper mâché mask.

Resurgimiento [Resurgence]
© » KADIST

Wynnie Mynerva Mendoza Ortiz

Painting (Painting)

Wynnie Mynerva places their body at the center of their practice from an intimate perspective and healing dimension. Their paintings are thresholds where body parts proliferate beyond names and labels, dissolving and intermingling gender marks, organs, and prostheses. Resurgimiento [Resurgence] was produced in the aftermath of their fifth solo show Closing to Open (Galería Ginsberg, Lima, 2021), in which Mynerva addressed their experience of going through a vaginal surgical procedure to help them feel more aligned with their gender identity.

Austintipede
© » KADIST

Sahana Ramakrishnan

Painting (Painting)

Sahana Ramakrishnan’s work blends cultural influences, spanning a range of visual mythologies, she weaves together a tapestry of pop cultural references that are upended by the artist’s exploration of identity, sexuality and gender perspectives. Narrative journeys are central to myth, and Ramakrishnan’s own journey through culture, mythology and sexuality is echoed in the physical matter she uses to create her work. The artist embarks on Odyssean quests for her materials.

Beyond Guilt
© » KADIST

Maayan Amir and Ruti Sela

Film & Video (Film & Video)

In Beyond Guilt the two artists create a portrait of our generation in three parts. In Tel Aviv, in confined spaces such as toilets or bar of hotel rooms, they create situations in which participants answer questions and describe themselves. Camera in hand, there is little editing in their works, leaving a rather crude result.

Faltenwurf (Stairwell)
© » KADIST

Wolfgang Tillmans

Photography (Photography)

Wolfgang Tillmans initiated the ongoing series Faltenwurf in 1989, representing compositions of unused clothing, with special attention paid to the ways in which they drape and fold. The title is taken from a Germanic term used in the context of art history, designating classical drapery. In this particular photograph, Faltenwurf (Stairwell) , an assortment of various colored clothes lay tangled on a set of stairs, as a sculpture of abstract forms.

8 Possible Beginnings or: The Creation of African-America
© » KADIST

Kara Walker

Film & Video (Film & Video)

In her masterpiece 8 Possible Beginnings or The Creation of African-America , Walker unravels just that, the story of struggle, oppression, escape and the complexities of power dynamics in the history following slave trade in America. Her use of contour and silhouette accentuate emotion with rigor, she reduces the narrative to black and white as gruesome acts of sex and violence address trauma, fear and suffering through a majestic play of shadow and light.

Bottoms Up
© » KADIST

Christina Quarles

Painting (Painting)

The title of the painting refers to the fact that the figure’s behind is raised upwards and the face is found at the bottom of the painting, thus inverting the way in which people are normally seen. Bottom’s up is also a pun, a nod to the English toast. Quarles draws on a number of sources of inspiration, including comic book imagery, the influence of which sits alongside elements of her practice informed by life drawing classes.

Agony of the New Bed
© » KADIST

Sheelasha Rajbhandari

Installation (Installation)

Agony of the New Bed by Sheelasha Rajbhandari brings out the familiar yet often ignored reality of gender discrimination and taboos built within the construct of marriage. Part of the artist’s series Marriage Taboos , these portraits of women from different age groups in Nepal are staged on cotton mattresses placed on miniature golden matrimonial beds. The embroidered text on top of the portraits in golden threads are a representation of the range of vulnerable and resilient emotions experienced by women and the social beliefs towards them.

The Possibility of the Half
© » KADIST

Minouk Lim

Film & Video (Film & Video)

The Possibility of the Half by Minouk Lim is a two-channel video projection that begins with a mirror image of a weeping woman kneeling on the ground. As both frames progresses, a montage of large crowds of mourners are depicted in slow motion interwoven with a variety of images including bomb explosions, fireworks, vacant stores, sunsets and sunrises, beachside landscapes, and infrared shots. At midpoint, life in the year 4012 is foreshadowed down to living insects and the video concludes back in the year 2012 as a burning inferno.

New Town Ghost
© » KADIST

Minouk Lim

Film & Video (Film & Video)

New Town Ghost (2005) is one of Lim’s trio of large-scale video installations. (The other two are S. O. S—Adoptive Dissensus [2009] and The Weight of Hands [2010].) The series grew out of her interest in capturing lost memories and the collective unconscious in rapidly globalizing cities such as Seoul.

AIDS Ring
© » KADIST

General Idea

Sculpture (Sculpture)

AIDS Ring by General Idea is a cast metal ring, which takes as its basis Robert Indiana’s iconic “LOVE” design, appropriating its pop aesthetic, and totalizing, simplistic universal messaging to instead emphasize the severity of the AIDS epidemic that occurred in the 1970s. This visual detournement of Indiana’s sculpture into the form of a ring is an indictment of pop art’s apolitical nature, as well as of its increasingly commodified status. General Idea instead proposes that art’s expansive platform for messaging be used to spread awareness and create accountability for political negligence of the AIDS epidemic.

Be Kind to Your Demons (The Nightmare)
© » KADIST

Hulda Guzmán

Painting (Painting)

Be Kind to Your Demons is a series of paintings by Hulda Guzmán that presents a variety of scenes in which female characters carry out ubiquitous activities in the company of secondary characters (mostly men) and devil-like creatures. Like much of her work, Be Kind to Your Demons is an invitation to embrace the devil in each of us, to surrender to bodily and external pleasures, and to engage in a conscious dialogue with our own existence. Guzmán’s paintings are a reminder of the brevity, potential intensity, and frailty of human existence.

Office Voodoo
© » KADIST

Haegue Yang

Sculpture (Sculpture)

In addition to Yang’s signature drying rack and light bulbs, Office Voodoo includes various office supplies like CDs, paper clips, headphones, a computer mouse, a stamp, a hole puncher, a mobile phone charger. The installation suggests the personal, physical, psychological, and political dimensions of the modern office environment. Though abstracted from their original contexts, these materials are still formally recognizable and function as stand-ins for the places from which they came.

Ofrenda
© » KADIST

Elyla

Installation (Installation)

Ofrenda [Offering] by Elyla includes a single-channel video and the mask used in the performance. The video is a recorded action of the artist, who appears removing a sieve mask that was pinned to the skin of their face, leaving a trail of blood that falls on their naked, mud-covered body. Worn in El Baile de las Negras , a colorful dance performed by men dressed as women, the mask originates from Indigenous celebrations in Monimbó, Nicaragua.

The Pudic Relation between Machine and Plant
© » KADIST

Isadora Neves Marques

Film & Video (Film & Video)

The Pudic Relation between Machine and Plant shows a looped scene where a robotic hand touches a “sensitive plant” — Mimosa Pudica, a species characteristic for closing on itself when touched. The name of the plant was derived from Carl Linnaeus sexual taxonomy of plants: pudica referring both to the external sexual organs, shyness and modesty. In a poem written by Erasmus Darwin (Charles Darwin’s grandfather) titled The Loves of the Plants (1789), this plant is associated, jokingly, with British Botanist Joseph Banks’s famous sexual adventures during his botanical expedition to the tropics.

Irma Vep, The Last Breath
© » KADIST

Michelle Handelman

Film & Video (Film & Video)

Michelle Handelman’s video work Irma Vep, The Last Breath takes its inspiration from Musidora, a famous French silent film actress, and a character she played called Irma Vep, from the film Les Vampires (1915), directed by Louis Feuillade. The work uses these characters as metaphors to highlight the lives of those who live in the shadows—or feel like they do—and the anxiety they experience as marginalized figures. Musidora was a 20th-century feminist, who was known not only for acting in movies, but also for directing her own plays and films, and having secret affairs with Colette and other famous people of the time.

Dorian, a cinematic perfume
© » KADIST

Michelle Handelman

Film & Video (Film & Video)

In Dorian, a cinematic perfume, video is used as a community gatherer, a tool to speak about particular subcultures, in this case the trans-gender drag queen New York community, past and present. Developed from a literary work, it deconstructs notions of narrative forms, styles and conventions. It is a hybrid piece, an example of the elasticity of the medium.

Alka domo
© » KADIST

Seba Calfuqueo

Film & Video (Film & Video)

Alka domo by Seba Calfuqueo is a performative video work that recontextualizes a story about Caupolicán, the Mapuche toki (meaning symbol of strength and perseverance in the face of adversity). Caupolicán was elected military leader by the Mapuche people of Chile after successfully completing the challenge of holding a log on his shoulders for two days. Caupolicán led the Mapuche army in the first uprising against the Spanish conquistadors from 1553 to 1558.

Les Fleurs d’intérieur
© » KADIST

Danh Vo

Sculpture (Sculpture)

The work “Les Fleurs d’intérieur” (which gives its name to the exhibiton presented at Kadist Art Foundation from May 30 to July 13, 2009) is a brass plate engraved with the inventory list of the works included in the show. From this moment, Dahn Vo will use this brass plates as a systematic element for all his exhibitions.

Good Life
© » KADIST

Danh Vo

Installation (Installation)

Good life (2007) is an installation displaying letters, documents, photographs and objects from a man named Joseph Carrier, and appropriated by artist Danh Vo. The installation features a series of small square vitrines, inset, dark and precisely spot-lit. Inside these are framed photographs, mostly black and white, of young Asian men, taken, as the titles on the neat brass name plates tell us, in Vietnam in the 1960s and early 1970s.

Catherine Opie

Julio Cesar Morales

Javier Castro

Javier Castro was born in the in the neighbourhood of San Isidro in the heart of Habana Vieja, Cuba, where he lives and works...

Kubra Khademi

Afghani artist Kubra Khademi uses her practice to explore her experiences as both a refugee and as a woman...

Firenze Lai

Firenze Lai is a Hong Kong painter known for her atmospheric portraits that explore the ways in which contemporary life causes people to adjust to their surrounding conditions in disturbing ways...

Moe Satt

Moe Satt is a Burmese visual and performance artist who uses his own body as a symbolic field for exploring self, identity, embodiment, and political resistance...

Danh Vo

Minouk Lim

Mithu Sen

Mithu Sen’s writing is central to her practice, as a poet from West Bengal, a region of great Indian literary history, poetic and visual tropes giving ground to her challenge of semiotics...

Shilpa Gupta

Michelle Handelman

Michelle Handelman’s video, installation, live performance, and photography works analyze the human sublime in terms of its excess and dullness, providing a sneak peek into a jewel thief’s therapy sessions or following the life of a famous drag queen who experiences her own narcissistic destruction due to her increasing fame...

Haegue Yang

Em'kal Eyongakpa

Em’kal Eyongakpa was born in Cameroon in 1981...

Yael Bartana

Jung Yoonsuk

As one of the notable Korean artists of his generation working across contemporary visual art and documentary cinema, Jung Yoonsuk has created internationally recognized documentary films like Lash (2022), Bamseom Pirates Seoul Inferno (2017), Non-Fiction Diary (2013), and Hometown of Stars (2010)...

Aki Sasamoto

Aki Sasamoto is an artist whose mediums include performance, sculpture, dance, and whatever other form it takes to get her ideas across...

Maayan Amir and Ruti Sela

Maayan Amir and Ruti Sela, two young Israeli women artists work collaboratively or individually by project...

Jane Jin Kaisen and Guston Sondin-Kung

Working with narrative experimental film, multi-channel video installation, performative video art, photography, and text, Jane Jin Kaisen engages themes of memory, trauma, migration and translation at the intersection of personal and collective histories...

Wu Tsang

Wu Tsang’s work is often framed in terms of her identity as a trans woman of color...

Shu Lea Cheang

Shu Lea Cheang’s practice combines artistic concerns with social issues, and is highly acclaimed as a leading figure in post-porn feminist art, becoming a crucial player that resonates with present-day subjects of queerness and trans discourse...

Newell Harry

Newell Harry’s practice traces an intimate web of connections and histories linking Pacific island cultures (especially those of the Vanuatu archipelago)–via Australia, where he lives, and the Malay world–to South Africa’s Western Cape Province, the home of his extended family...

Christina Quarles

Christina Quarles’ work is concerned with the female body...

Angela Su

Angela Su’s practice is derived from her two divergent backgrounds–she received a degree in biochemistry in Canada before pursuing visual arts...

Gisela McDaniel

Chamorro artist Gisela McDaniel depicts Native American and mixed-race women from the USA’s former, as well as current, Pacific territories...

Yan Xing

Hank Willis Thomas

Carlos Motta

Carlos Motta’s is a multi-disciplinary artist whose work seeks to document the social conditions and political struggles of sexual, gender, and ethnic minority communities through a variety of variety of mediums including video, installation, sculpture, drawing, web-based projects, performance, and symposia...

Wolfgang Tillmans

General Idea

The Canadian artist collective General Idea (Felix Partz, Jorge Zontal and AA Bronson), active from 1967-1993, was an instrumental source of early conceptual art through their multidisciplinary practice...

© » ARTSJOURNAL

about 3 months ago (02/12/2024)

Talent agency A3 to shut down on Monday - Los Angeles Times Copyright © 2024, Los Angeles Times | Terms of Service | Privacy Policy | CA Notice of Collection | Do Not Sell or Share My Personal Information Advertisement Company Town Talent agency A3 to shut down on Monday From left, Brian Cho, Robert Attermann and Adam Bold attend the Catalyst Content Awards Gala in 2019 in Duluth, Minn...

© » MUTUALART

about 3 months ago (02/12/2024)

In contrast to the westernized search for one’s personal identity, Polynesian cultures express their identities collectively, through symbolism and tattoos...

© » SOUTH CHINA MORNING POST

about 3 months ago (02/11/2024)

Photos of LGBTQ people in Hong Kong ‘playing it straight’ feature in awkward exhibition that challenges attitudes towards sexual minorities | South China Morning Post Advertisement Advertisement Art + FOLLOW Get more with my NEWS A personalised news feed of stories that matter to you Learn more A photo featured in “Playing it Straight”...

© » ARTLYST

about 3 months ago (01/24/2024)

John Bonafede, an artist and re-performer/participant in Marina Abramović's renowned 2010 retrospective at the Museum of Modern Art sues.....

© » FRANCE24

about 4 months ago (01/12/2024)

Special programme: Taiwan, a culture of freedom and diversity (part 2) - arts24 Skip to main content Special programme: Taiwan, a culture of freedom and diversity (part 2) Issued on: 12/01/2024 - 17:25 Modified: 12/01/2024 - 17:29 13:17 FRANCE 24's Alison Sargent takes you to Taipei for a special programme on the island's cultural diversity...

© » APERTURE

about 4 months ago (01/12/2024)

The photographer’s queer and Muslim identity gives him a distinct perspective...

© » ARTSJOURNAL

about 4 months ago (12/18/2023)

Activision Blizzard to pay $50 million to settle lawsuit - Los Angeles Times Copyright © 2023, Los Angeles Times | Terms of Service | Privacy Policy | CA Notice of Collection | Do Not Sell or Share My Personal Information Advertisement Company Town Activision Blizzard to pay roughly $50 million in California discrimination case settlement The Activision Blizzard Booth during the 2013 Electronic Entertainment Expo in Los Angeles...

© » GALERIA FOKSAL

about 5 months ago (12/15/2023)

Markus Ohrn, Bye Bye Poland - Galeria Foksal Polski English GALERIA FOKSAL #Las Rzeczy Exhibitions Artists About gallery Contact Markus Öhrn Markus Ohrn, Bye Bye Poland December 15, 2023 Opening: December 15, at 18:00 – 22:00 On view from 15 December 2023 through 20 January 2024 curator: Martyna Stołpiec We are all entangled in the mechanisms of patriarchy...

© » DIANE PERNET

about 5 months ago (12/14/2023)

MARQUIS DE SADE by Charles Daniel McDonald – A Shaded View on Fashion ´ Sade: Freedom or Evil ´ is an exhibition that delves into the influence and reputation of the infamous French writer and philosopher, the Marquis de Sade , from whom the term ´sadism´ derives and it’s a journey not for the faint-hearted...

© » HYPERALLERGIC

about 5 months ago (12/11/2023)

NXTHVN Opens Applications for Studio and Curatorial Fellowships Skip to content Exterior of NXTHVN building in New Haven, Connecticut NXTHVN is pleased to announce the opening of its annual open call for Studio and Curatorial Fellows ...

© » HYPERALLERGIC

about 5 months ago (12/05/2023)

Women’s Oppression Is the Earth’s Oppression Skip to content Laura Aguilar, "Nature Self-Portrait #5" (1996) (© Laura Aguilar Trust of 2016) LONDON — The tradition of landscape photography is entwined with a patriarchal settler-colonial perspective...

© » THE GUARDIAN

about 5 months ago (12/01/2023)

Nan Goldin named art world’s most influential figure | Nan Goldin | The Guardian Skip to main content Skip to navigation Skip to navigation Nan Goldin founded the advocacy group Pain (Prescription Addiction Intervention Now) after her own addiction to OxyContin...

© » OBSERVER

about 5 months ago (11/27/2023)

Has Banksy Finally Revealed His True Identity? | Observer A Welsh politician...

© » 1854 PHOTOGRAPHY

about 5 months ago (11/20/2023)

Now on show in New York City: BJP's Female in Focus winners - 1854 Photography Subscribe latest Agenda Bookshelf Projects Industry Insights magazine Explore ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW Explore Stories latest agenda bookshelf projects theme in focus industry insights magazine ANY ANSWERS FINE ART IN THE STUDIO PARENTHOOD ART & ACTIVISM FOR THE RECORD LANDSCAPE PICTURE THIS CREATIVE BRIEF GENDER & SEXUALITY MIXED MEDIA POWER & EMPOWERMENT DOCUMENTARY HOME & BELONGING ON LOCATION PORTRAITURE DECADE OF CHANGE HUMANITY & TECHNOLOGY OPINION THEN & NOW © Minxu Li, Female in Focus 2022 single image winner BJP’s new exhibition takes place in a converted Brooklyn townhouse, reflecting the award’s domestic focus The winners of BJP ’s Female in Focus 2022 include two series and 20 single images which demonstrate the sheer power of photography by women...

Catherine Opie
© » ROYAL ACADEMY

about 7 months ago (10/05/2023)

Video: Catherine Opie on photographing leading British artists | Blog | Royal Academy of Arts Catherine Opie in the RA Collection Gallery Video: Catherine Opie on photographing leading British artists Read more Become a Friend Video: Catherine Opie on photographing leading British artists Published 8 September 2023 Catherine Opie discusses her portraits of David Hockney, Anish Kapoor, Gillian Wearing, Isaac Julien and Lynette Yiadom-Boakye, featured in our free display in the Collection Gallery...

© » KADIST

about 9 months ago (07/24/2023)

KADIST is seeking a Collection Fellow based in the Asia Pacific for November 2023 (6-month position with 8-10 hours per week commitment) KADIST offers a paid six-month collection fellowship to an emerging curator or recent graduate of art history, museum studies, critical writing, or a related field from college or university programs...

© » LARRY'S LIST

about 19 months ago (10/05/2022)

Toronto art collector has concentrated exclusively on Black artists, and established the Wedge Gallery in Toronto to showcase their work...

© » GALERIA FOKSAL

about 20 months ago (09/02/2022)

Sebastian Winkler, WE'RE NO COMPUTERS, SEBASTIAN, WE'RE PHYSICAL - Galeria Foksal Polski English GALERIA FOKSAL #Las Rzeczy Exhibitions Artists About gallery Contact Sebastian Winkler Sebastian Winkler, WE’RE NO COMPUTERS, SEBASTIAN, WE’RE PHYSICAL September 2, 2022 Opening day of the exhibition: September 2nd, 2022 from 6 pm Duration: Sat...

© » NYTIMES LENS

about 29 months ago (12/21/2021)

Afro-Ecuadoreans Maintain Identity Through Spiritual Practices - The New York Times Lens | Afro-Ecuadoreans Maintain Identity Through Spiritual Practices https://www.nytimes.com/2019/05/31/lens/afro-ecuadoreans-identity-spiritual-practices.html Give this article Share Advertisement Continue reading the main story As a teenager growing up in Ecuador, Johis Alarcón was mesmerized by hip-hop culture...

© » ARTS EQUATOR

about 30 months ago (11/12/2021)

SEE WHAT SEE: BOYS' LOVE (BL) DRAMAS | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints November 13, 2021 By Lainie Yeoh I grew up in an era where queer films were rare exceptions and it was your holy gay-af duty to watch all the ones you could access...

© » ARTS EQUATOR

about 32 months ago (08/31/2021)

Bedside Banter: Cyril & Michael by Bridging the Gap Collective | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Bernie Ng August 31, 2021 By Naeem Kapadia (800 words, 2-minute read) Two strangers meet on gay dating app Grindr and share an encounter in a hotel room...

© » ARTS EQUATOR

about 33 months ago (08/11/2021)

Festival of Women N...

© » ARTS EQUATOR

about 53 months ago (12/31/2019)

The top ArtsEquator articles of 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo courtesy of Akanga Film Asia & Philipp Aldrup Photography December 31, 2019 Here’s a list of the top 10 ArtsEquator articles in 2019: Enter Stage Right: Tay Tong by Art sEquator “It is amazing how one’s identity is so associated with one’s job...

© » ARTS EQUATOR

about 54 months ago (12/05/2019)

Embracing A Bigger Human Identity: “PheNoumenon” by T...

© » ARTS EQUATOR

about 62 months ago (04/05/2019)

"Gold Rain and Hailstones": There and Back Again | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Wong Horng Yih April 5, 2019 By Carmen Nge (1593 words, six-minute read) It was a Wednesday night and DPAC was packed...

© » ARTS EQUATOR

about 64 months ago (01/21/2019)

Music – a propaganda promoting the Khmer Rouge socialist identity (via the Phnom Penh Post) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 21, 2019 Shortly after their rise to power in April 1975, the Khmer Rouge sought to change the social identity of the Khmer people...

© » ARTS EQUATOR

about 64 months ago (01/21/2019)

"Jogging" To Survive: Hanane Hajj Ali at M1 Singapore Fringe Festival 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Marwan Tahtah January 21, 2019 By Stephanie Burridge (800 words, four-minute read) Metaphors abound in this complex work about living, loving and surviving...

© » ARTS EQUATOR

about 69 months ago (08/30/2018)

"Pratthana: A Portrait of Possession": Of Politics and Desire Thinking and Talking about Arts and Culture in Southeast Asia Articles Photo: Tananop Kanjanawutisit August 30, 2018 By Amitha Amranand (1225 words, six-minute read) Everyone is always watching and being watched in Pratthana: A Portrait of Possession , the latest play by Japanese director Toshiki Okada...

© » ARTS EQUATOR

about 69 months ago (08/20/2018)

Weekly Picks: Malaysia (20 – 26 Aug 2018) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do August 20, 2018 Artist-sharing: Hymen Instinct by Sonia Kwek , at Rumah Attap Library & Collective, 22 Aug, 8pm Performer Sonia Kwek, in conversation with her Malaysian collaborator Lucian, will share documentation and a new script of her solo work Hymen Instinct before the performance goes to the Asia Weekend Theatre Festival in Taiwan...

© » ARTREPORT

about 101 months ago (01/23/2016)

Betty Tompkins Presents 1,000 Different Ways to Describe a Woman – Art Report News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result News ARTISTS Artist Highlights Artist Interviews Studio Visit VIDEOS ART+ Community Listicles No Result View All Result No Result View All Result Betty Tompkins Presents 1,000 Different Ways to Describe a Woman by Jenny Held Jan 26, 2016 in NEWS 0 Betty Tompkins Exhibit...